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L L U S T R A T I O N / C O M M E R C I A L N O T
E S
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After
4 years at Art College studying fine art, plus 1 year of Teacher Training:
Recovering these kinds of childhood illustrative skills may not
seem particularly necessary to some artists - but I love those skills
- and more importantly, I know both their folly and their worth.
To me they are part of the long and complex history of being an
artist in the world.
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I gave
up teaching in schools after my first year and did many things to survive as an artist,
I also gave up Theatre Design because it could have become a career
and it took too much time away from the problems of painting. Freelance
illustration seemed to be a way to earn some sort of a living. |
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Most
of these illustrations were originated and painted using all the traditional
drawing and rendering skills of using media on paper.The Airbrushing
work is combined with highly controlled stencil cutting and control
of the compressor and the various liquid paints and inks; that was shortly
before the computer and clip-art really took over.
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| | Illustration is a very wide and complex commercial world, but I made a lot of contacts quickly, had 2 agents and did a great deal of 'footslogging' around London, Bristol and Cardiff with the portfolio. The quality of the illustrators portfolio is the crux of it all - that and the ability to understand a clients brief and to make deadlines. i.e.You are there to solve problems not to make them. |